Huang Shen, one of Yangzhou’s eight strangers, a generation of paintings on the fertile soil of Hakka
The generation of paintings on the Hakka fertile soil, Sheng Huang Shen (1687 – 1768), a thousand-year-old Hakka, migrated thousands of miles, stormy, and endless.
Through the dust of the homeland of the Central Plains, through the time and space of the war, the Ninghua Stone Wall in Fujian Province has a horse, a river, and a hundred miles of forests. It has been a dream of the Hakka ancestors. It has been recorded by hundreds of Hakka pedigrees and has become a descendant of Hakka.The holy place of worship.
At the same time, it also has the rich historical and cultural connotation of Ninghua, leaving a glorious page in the hearts of 100 million Hakka descendants in more than 80 countries and regions on five continents.
Huang Shen, one of the “Eight Monsters of Yangzhou” in the Qing Dynasty, is one of the best in the memory.
During the reign of Emperor Kangxi, Yongzheng and Qianlong, a group of painters from different places, who were independent of Chen Fa and who dared to innovate, became a group of painters who shake the art world.
These artists were artificial and not the same as the common customs. They were derogated from the orthodox painters as “weirds”, and the shift of time was shifted, but this outstanding artistic achievement became famous, even for the posterity of the later generations.Become a household name.
Huang Shen is one of the stars that dazzles.
Huang Shen, the number of the scoop of the mountain, referred to as the scoop, the name of the East China Sea cloth.
He invented cursive brushwork and painted, and his spirits and spirits are dynamic. His poems are self-satisfied and simple, and they are called “three poems and paintings.”
His paintings involve a wide range of high-temperature categories, and the richness of his technique-to-freehand techniques is rare in the history of painting.
With a solid foundation, a fascinating talent, and exquisite craftsmanship, he displayed a broad openness like the sea in front of us.
Huang Shen plans to draw some parts, and has stored more than 800 pieces.
Zheng Banqiao, one of the representatives of the “Yangzhou Eight Eccentrics”, once had a quatrain to praise Huang Shen: “Drawing is in the spirit of floating, there is no truth.”
Huang Shen’s fellow countryman, then served as the governor of Jiangnan’s admiration, and the famous physicist Lei Wei, who was the deputy of the left deputy of the Imperial Court, was poked in the preface for the “Wuhu Poetry Notes”.The vines are knotted, but there are paintings in the poems of the mountains of the mountains, and there are paintings in the words.
Huang Shen from Fujian Jianning, Changting, to Ruijin, Jiangxi, Ganzhou, Nanchang, from Qujiang, Nanhai, Zengcheng, Guangdong, Suzhou, Hangzhou, Nanjing, Huang Shen Qianli, to make friends with calligraphy and painting.
Since then, his eyes have widened and his art has improved.
From the age of 37, in the next 50 years, Huang Shensan went to Yangzhou and took Yangzhou as the center. He traveled to and from the Jianghuai City, and between the capitals of the capital, he traveled to dozens of famous cities and towns, and with his extraordinary comprehensive art.Achievements, famous in the north and south.
“Ning selling ancestral ancestors, do not forget the ancestors.”
This is the unshakable creed of the Hakka people from ancient times to the present, and it is also a true portrayal of the enthusiasm of the ancestors in the Hakka culture.
Huang Shenyuan is from Hakka, blood is connected, and his story of filial mother is restored today.
A little back to Huang Shen mother is sick, want to eat duck meat, no money to buy, he drew a pool duck, to change the live duck.
In the five years of Yongzheng (1727), Huang Shen, who had been in Yangzhou for more than two years, couldn’t stand the homesickness, the mother’s bitterness, and returned to Ninghua, and brought her mother and daughter together with her brother Huang Da.When I went to Yangzhou, I spent eight years in Yangzhou. My mother had grown older and homesick, and wanted to go home.
As a dutiful son, Huang Shen gave up her ambition and fame in Yangzhou, and took her mother and family to leave Yangzhou to return home.
All the way back to the home to spend the accumulation of money, he wants to go out to sell paintings, but also consider the sickly mother, do not dare to travel.
In the five years of Qianlong (1740), Huang Shen participated in the paintings of Tingzhou in Ninghua, and met with the king of Tingzhou, who appreciated her, and thus proposed to establish a filial piety for her mother. It was quickly approved, and a section of the filial piety wasNinghua City North Huaxin Street was erected.
In the second year of the archway, perhaps Huang’s mother was satisfied with Huang Shen’s filial piety and left the world.
Huang Shen dare to break through the shackles of his predecessors, to be unconventional and natural, and his innovative spirit is like a different army, gradually showing his extraordinary artistic charm.
This “weird” is showing the variability of the wise man’s pain, showing the realm of bold innovation.
Huang Shen’s landscape paintings and flowers are exquisite and interesting.
Huang Shen’s figure paintings, a few pens, a sense of subtlety, and a god-shaped combination, are lifelike.
His paintings are fresh and natural, revealing his sincere feelings towards the working people and deep sympathy for the lives of the lower classes, and reflecting this true image into his works.
Qi Baishi, a generation of masters, lamented in “Lao Ping Shi Cao” in 1919: “Yu was in the Huang Jing people’s place to get a look at the “Huang Wei scoop album”, and I knew that the rest of the painting was too much like a detachment.
Decided to change from now on.
The painters of the former dynasty, no less than thousands of people, scoops, vines, and large polyesters, all resemble.
I don’t care if the talents of the rest are not the same as the three.
“The contemporary calligraphy master Liu Haisu personally wrote an inscription for Huang Shen statue, “Weird and not blame, art pass EMI”, and the contemporary calligrapher Chen Dayu’s inscription is “a generation of paintings, a thousand models.”
Zhong Ling Xiu Xiu, a profound human Hakka fertile soil, gave birth to a generation of paintings, Huang Huangshen, which made him an immortal chapter in the history of Ninghua and wrote a splendid page.
And Huang Shen’s artistic life of more than eighty years is more fertile than Hakka, and he has given a pride and precipitated a valuable cultural heritage. Hakka culture has a long history and always shines.
Huang Shen spirit, art sea Yong Yong, style later!
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